Twisted Destiny – cover reveal – Rachel Walter 

SURPRISE!!!!It might not be the news you all want, but it’s the best Rachel gavd at the moment.

No release date set yet, but this knowledge will be ready soon.

Happy Friday everyone! 
Here is where I squeal with how pretty it is!! While you wait, start with Book 1 – True Connection – it’s 99 pennies!!
Cover Design: Regina Wamba Mae I Design And Photography

Book Blurb: 

Twisted Destiny (The Soul Mate Series) book three
“I’ve never been free.”

Being the new girl is a common occurrence for Aisling Hawley. As an Amaranthine, moving was normal. People would notice when she didn’t age, so her mother kept a job that required traveling.

Aisling thought she was just starting over, but being new in Lupiterra is a whole different world to her. Finding her soul mate and then forced into a role as savior of a demon race was never part of her plan. All she wanted to do was watch horror flicks, avoid making friends, and do her own thing like any normal Amaranthine teenager.

Aisling must rely on her own instincts to save herself and her soul mate. Can she escape the dangers of her own mind before evil consumes her?

*** This is book number 3 in this series. Please note that it is suggested to read the series in sequential order. ***
This novel is intended for mature YA readers 15 +


Meet Author Olivia Kelly

The awesome Olivia Kelly agreed to do an interview with me. Sit back and catch up with her.  I am currently reading one of her books called The Lady and the Duke. 🙂



Olivia Kelly writes all sorts of things, in between chasing her children around their small section of North Carolina and drinking copious amounts of Coke Zero. The stories run the gamut from historical fiction to urban fantasy, but they always include kissing.

My website:

You can find me on


Twitter: OliviaKelly_


C- What’s your current project? Tell us a little about it.

O. – I have several current projects, because I am a maniac.
My Regency romance novella, Look to the Stars, is coming out in May (Dismissing the Duke ~When the Duke Comes to Town) in a historical romance anthology. Miriam Rosenbaum is a Jewish American heiress who would much rather study the stars than get married. Leopold Blakeley will someday be an earl, though he’d much rather… not. His great-uncle, the Duke of Danby, has come to Town for the season and is making his life difficult, sneakily marrying off all of Leo’s cousins. He’s afraid he’ll be next, and with good reason. To forestall the duke’s efforts, Leo chooses to give the appearance of courting his mother’s old friend’s daughter. He knows he’s in no danger of her WANTING to marry him, after all, so it’s a brilliant plan. If only she would cooperate!

I’m writing several comic scripts, a few of which are on submission right now. I think I still have two poems out on sub as well.

C- What has been your favorite scene to write so far?

O. – In Look To The Stars, it’s the scene where Leo is attempting to subtly maneuver Mimi into accompanying him to Hyde Park, where rumor can convey the news of his courtship to the duke. Unfortunately for him, she’s much more interested in finding a way to visit the Royal Observatory, and confer with the scientists working there. After intense negotiations, they agree to do both, but of course it doesn’t work out the way either had hoped.

C- Who or what has inspired your writing?

O. There are so many authors I love that, when I read their books, it makes me excited to write. And my head is constantly filled with “What If” questions, especially when music is on. I get a lot of inspiration from songs, even ones that are radically different from the genre/media I’m writing at the time.

C- What is your biggest goal with your writing?

O. To tell my stories. Sure, money is nice and I’m kind of need it to survive, but I’d just like to get my stories out where they can be read. I have no desire or plan to top lists, to be honest.

C- Do you have any pre-writing rituals?

O. – Not really. I do listen to a LOT of music, and I like to set up a playlist for every WIP. But I listen to music constantly anyway!

C – What is the weirdest location you’ve ever written at?

O. – In the bath, using my kid’s travel lap tray to hold up my notebook! I’ve also written in many a doctor’s waiting room.

C – How do you handle writer’s block?

O. – I’ve learned to differentiate between writer’s block and depression. That was key for me. I don’t necessarily get writer’s block, as most know it. But I am manic depressive, so I have symptoms that mimic it at times. Learning to not be angry and frustrated at myself for not being able to write is my biggest struggle. I’m still working on that! But I’ve found if I push myself too hard when I’m suffering a low, it only makes it worse. I’ve had to learn to be very honest with myself, for self-care. Am I’m depressed? Or am I being lazy because it’s Sunday morning and I don’t waaaaaanna write?

C- How much research was involved in your latest piece and how did you tackle it?

O. – Some research is always required when you write historical fiction, if you’re not making the world up wholesale. Thankfully, this is a time period and a world (The Duke of Danby) I’ve written in before. So… not much! I do a lot of research on small things, I find. Something like that turns out to be only one line could take me an hour of reading science websites, for instance. But even in writing fiction, it’s important to get your facts straight!

C- Are you a panser or a plotter?

O. – A bit of both? I generally plot an outline and I always do a character bible. I’ll write up a summary as well. That can change though, as I write the story, so it’s usually adjusted later. With Look To The Stars, it was harder because we have preorder buttons. So I actually have to STICK to my outline this time! Horrors!

C –  What has been your biggest learning experience so far in your career?

O. – Even when Indie pubbing, if you’re working with others, use a contract. Always get a contract when it involves money and a creative endeavor. Even if you’re working with friends. ESPECIALLY if you’re working with friends.

C –  Is there anything you wish you were told prior to writing or publishing?

O. – I’m lucky, in that, as a baby writer I fell in with a group of very successful authors. They really showed me how the industry works, both in Indie and traditional publishing. I felt like I had a good handle on what might happen, before I published my first story.

C-  What’s next for you?

O. – Possibly more historical romance, but after Look To The Stars, I’ll be concentrating on my comic scripts. I have one that I’m polishing now that I’m probably going to be putting together a creative team for pitching, to Indie pub. And always more submissions! Keep moving forward.

C-  What do you like best about writing romance, fantasy ?

O. – There’s romance in everything I write. Everything. The overall genre might be coded something else, like urban fantasy, but it’s always there. I think I just love the idea of Love. That one big one, the one that knocks you down, then lifts you up. And all the messy, angsty, complicated fun that leads up to Love.

C-  Is there another genre you have tried writing?

O. – I think the only genre I HAVEN’T written in is Mystery/Thriller. My brain just doesn’t think like that!

C – Have you taken any writing classes? If so, share those experiences.

O. – Other than in school, no. As anyone who has ever edited me would be quick to tell you.

C- Is there any talent or skill you wish you were better at within the writing/publishing process?

O. – EVERYTHING. I like Indie pubbing for the independence, but I HATE the Indie pubbing process. I’m terrible at it. I can’t seem to get the hang of converting files and uploading and yada yada, no matter how many times I do it. It’s always a struggle. As far as writing, I’m never satisfied. It’s a blessing, because I’m always pushing myself to do better this time. But it’s also a curse, because I’m never 100% happy with what I produce. I think many people feel like way, though, no matter what career they chose!

C – Have your parents read your work?

O. – YES. My mom isn’t a fan of my stories usually, not because she thinks I suck (um, I hope), because she only reads Mystery. Which, you know, is the only genre I DON’T WRITE. But my dad, who reads everything, always reads my work. He’s a pretty decent copy edits beta, lol!

C – What made you decide to self-publish or traditionally publish?

O. – When I wrote my first (and only) full length novel, I decided to send in the first chapter to a Romance Writers of America chapter contest. Much to my shock, I won in Historical Romance. I half-heartedly sent it to a few agents, got a few requests, got some rejections. I even sent it in to a publisher and got a nice detailed rejection explaining that they had just acquired a manuscript like mine, so sorry, best of luck. After some inner debate on sending it out more, or revising the hell out of it, I decided to shelve that project. I felt like I’d put so much time into that novel, every time I went back to work on it, I was only making it more of a mess.
Then came the offer to self-pub a novella in an anthology, with many of the authors I’m working with in THIS upcoming anthology. I decided to try it, and it worked out well. We topped some Amazon lists, which was fun, and it still provides me income about four or five years later. That was the experience that showed me, hey, I might be able to actually do this as an Indie author. I liked the idea of not being beholden to anyone other than myself. If I Indie pub, ultimately I rise or fall on my own.

I have sold a short story to Fireside Fiction (who are awesome), and that was also a good experience. So, I’m not opposed to a more traditional publishing route, I’m just very cautious about giving up any part of my independence and creative freedom.

C- What scares you the most?

O. – Failing myself, failing to meet my own standards. Trust me, they are higher than anyone else’s expectations of me ever could be. I just want to make art I can be proud of, really.

C- When did you start to feel like an author?

O. – I’ll let you know when that hits. Lol… No, but I truly still don’t feel like an author. A writer, yes, that’s a title I’ll own gladly. Maybe I’m reluctant to use author to describe myself because I’ve only published short stories and novellas so far? Which is silly, because I consider others who make a career out of writing the same to be authors. This is the downside to being friends with so many novel writers! You have weird self-expectations.

C – Have you ever acted out a scene to see if it worked? Share a funny or embarrassing story about acting it out.

O. – I haven’t! But I do read it out loud at times, ONLY in the safety of my home office.

C- Which poets or authors have influenced you in your own writing?

O. – Oh, Lord. Too many!
If we’re talking historical romance, I’d say Julia Quinn, Lisa Kleypas, Sarah Maclean, and Courtney Milan are my biggest influences. If I could write half as well as those ladies, I would be satisfied.They write lush, gorgeous novels and novellas.
In comics? Nearly everything I read. The ones I’ve learned the most from, however, are The Unbeatable Squirrel Girl, Hellboy, Ed Brubaker’s run of The Winter Soldier, Matt Fraction’s Hawkeye, Bombshells, and Loki: Agent of Asgard.Just this weekend I picked up both Faith and Mockingbird, and LOVED them. Those are two comics I can’t wait to read more of.

If you’d like to pre-order go here!

Here is the preorder page for Dismissing the Duke (When the Duke Comes to Town):

This was a great interview! Thank you so much Olivia!


J.B. Rockwell – Author interview

I just finished J.B. Rockwell’s Serengeti, and a day later I am still in awe and blown away.  We planned an interview and this is the time to do it! You’ll learn a little about Serengeti and then learn more about her as an author.  Sit back and enjoy and DEFINITELY go BUY Serengeti!



Twitter: @Rockwell_JB

Let’s start with a bit about Serengeti 


C. What was your inspiration for Serengeti?

J.B. – Ha! I got asked this in my recent Author Spotlight on Reddit Books (/r/books: Serengeti started from a single line: “She dreamed of dying–of dying, but never of death.” That line came to me one day but I didn’t know what to do with it, so I tucked it away for a while until this idea of a dying spaceship came to me. SERENGETI was just a short story called INFINITY then–one I got published in the INFINITE SCIENCE FICTION ONE anthology–but a few people mentioned they want more so…voila! The short story became a book!

C.  I loved every part but had a particular liking for a few cute robots, who or what Inspired their characters?

J.B. – WALL-E (obviously) and the tank robots from Ghost in the Shell, a little bit of R2D2. The rest is a hodge-podge of robots from anime and books and movies, and dreams of snarky but cute AIs.

C- I know you’ve said you didn’t mean to make somd readers cry, but what is your reaction to that? I mean I cried!!

J.B. – I’m proud on the one hand–shows I struck a chord and invested the story with a lot of emotion–and apologetic on the other. I wanted the story to be impactful and for the reader to feel Serengeti’s struggle but I honestly didn’t mean to make you guys cry.

C- What do you want your readers to know about this book?

J.B. – I wasn’t sure hard core sci-fi fans would take to it. An AI warship as the main character was a gamble. A female AI warship as the main character was a gamble. And then there’s the fact that it starts out all pew-pew-pew space battles and then changes and becomes very close and personal. I worried people would like the first part and ditch the book when they hit the second. From the reviews, they got it though, and love Serengeti every bit as much as I do.

C –  I hear Serengeti is coming to audio, can you tell us about that process? Voice actors and such?

J.B. – Yes! Tantor Audio just bought the rights. They have a hundred or do voice narrators in their catalogue and sent me samples of a few they selected for SERENGETI. Elizabeth Wiley was my favorite and first choice. Luckily I got her and the audio book is scheduled to be out on April 26, 2016.

Go get Serengeti today!

Now more interview!! 🙂 WOOHOO!!

C – What’s your current project? Tell us a little about it.

J.B. – A sequel to SERENGETI! I’m still finalizing the name so we’ll just call it SERENGETI II for now. I don’t want to give too much away, but it picks up where SERENGETI left off and answers some of the unanswered questions readers have been asking about

C – What has been your favorite scene to write so far?

J.B. – The TWO flashback scenes with Serengeti and Henricksen. I loved showing the two of them together, just talking one on one, being very open and honest with each other when the crew aren’t around. I wrote them both in one sitting, didn’t even need to edit them.

C –  Who or what has inspired your writing?

J.B. – So many writers–far too many to count. Pretty much every book I’ve read has influenced my writing, even the bad ones. But I’d say the works of C.J. Cherryh and Neal Asher influenced my own style and content the most. And my Dad. He introduced me to sci-fi and fantasy, and the first books I read were from his personal collection.

C- What is your biggest goal with your writing?

J.B. – To keep improving and coming up with fresh ideas. I’d love to land a big 6 publishing contract someday, quit the day job and write for a living but that’s a long shot. Right now I’m just happy promoting SERENGETI. I’d also like to qualify for the Science Fiction Writers of America (SFWA). That would make me feel all writerly and official.

C- Do you have any pre-writing rituals?

J.B. – Nah. I’m not really into the whole ritual thing. I usually only have time to write on the weekends so I run, eat, grab myself a hot drink and settle down to pound away at the keys.

C –  What is the weirdest location you’ve ever written at?

J.B. – A bike race. My husband races as a Cat 1 cyclist and I print off my work sometimes and edit it while waiting in the feed zone (usually a thin strip of grass on the side of some road) for him to come by for a drink.

C-  How do you handle writer’s block?

J.B. – I go for a walk or a run–anything that involves getting outside and away from a computer. Nine times out of ten that helps me shake things loose and figure out where to go. And if it doesn’t, I got outside and got some fresh air. Win-win!

C – How much research was involved in your latest piece and how did you tackle it?

J.B. – Not much. That’s what I like about speculative fiction: it’s all about imagination, picking and choosing from things you know and have been exposed to and bringing them all together. Most of my research was for the science details (distances in space, how close you’d need to be to a star to get much energy out of it, that kind of thing) and even then I had back-up in the form of kickass beta reader and fellow author Mike Kalar who helped clean up my science fails.

C- Are you a panser or a plotter?

J.B. – I’m a total pantser (which autocorrect always tries to change to ‘panther’). I have huge respect for people who outline everything up front but that just doesn’t work for me. I figure out the major plot points, how it begins and how it ends, and then I just crack my knuckles and start typing, figure it all out as I go along.

C-  What has been your biggest learning experience so far in your career?

J.B. – I published a couple of books with another small publisher and the experience was…disappointing. I learned a ton about what not to do from that publisher and also leveled up my editing powers because they really didn’t provide much of anything. Ultimately that entire experience really helped me. Now I’m trying to use what I learned to help others.

C- Is there anything you wish you were told prior to writing or publishing?

J.B. – Yes! Many things, starting with Just how many authors are out there trying to get published and how long everything takes in publishing. I was so naive when I started out and thought it would all be so easy. I could have saved my self a lot of frustration if I knew more before I started. On the other hand, if I had known, I might never have started writing…

C-  What’s next for you?

J.B. – Finish SERENGETI II! I’m also writing a few short stories and trying to get those published. Short stories are fun and a great break from novel writing. They also help expand your fan base and reach new readers.

C- What do you like best about writing scifi?

J.B. – The creativity of it. Technology is advancing so rapidly that literally anything is possible. Sci-fi lets you see new worlds and new peoples, imagine fantastical spaceships and super-powered beings. Whatever future you want or fear can be yours in just a few pages. Plus spaceships and pew-pew-pew!

C-  Is there another genre you have tried writing?

J.B. I’ve written fantasy, light horror and steampunk. All are fun and creative but I think my sci-fi work is my best, and the stories I mist enjoy.

C – Have you taken any writing classes? If so, share those experiences

J.B. – No. Not one. I’d like to someday so I don’t feel like I’m always faking it but right now my writing is all trial and error and learned from practicing and observing.

C- Is there any talent or skill you wish you were better at within the writing/publishing process?

J.B. – I REALLY wish I could draw so I could do concept art and such to go with my books. I have zero artistic skill, but luckily I have a couple of graphic artist friends I can call on for designs. Check out the Crowhammer tab on my website for instance ( My friend Jenny Haines drew that beautiful otter pic based on a character I developed for a series of short stories.

C- Have your parents read your work?

J.B. – My mom isn’t into speculative fiction, so no. My Dad read my first ever book (part of the fantasy trilogy I mentioned) but sadly he passed away a year and a day before SERENGETI was published so he never got to read it. I think he would have liked it, though, and SERENGETI will always remind me of him.

C-  What made you decide to traditional publish?

J.B – I’m lazy 🙂 Self-publishing is a TON of work between editing and cover design, marketing, etc. and I just didn’t think I could do it all on my own. Traditional publishing takes care of a lot of that or at least helps out and I really like having that support and distribution structure backing me. I know writers who have been VERY successful self-publishing, though, so that’s not a route to rule out.

C- What scares you the most?

J.B. – Running out of ideas. A typical adult spec fic book is 90,000 to 100,000 and that’s a lot of plot to work out and make interesting. Each time I finish a book I wonder if I’ll ever have another good idea again.

C-  Have you ever acted out a scene to see if it worked? Share a funny or embarrassing story about acting it out.

J.B. – ALL THE TIME. My husband makes fun of me because I’ll be typing along and then stop dead and start waving my hands and making funny faces as I try to act out what’s going on in the scene. Luckily I’ve never done this in public but my cats do look annoyed and disgusted at times…

C – Which poets or authors have influenced you in your own writing?

J.B. – C.J. Cherryh and Neal Asher without a doubt. Also Elizabeth Bear and Ursula Le Guin. Plus my Inkbot buddies in my writing group all of whom are awesome in their own way. We swap beat reads, share successes and frustrations and make each other better writers just by interacting. INKBOTS FOR LIFE!

What a great interview!! 🙂  Thank you!


Cover Reveal – Serengeti – J.B. Rockwell

I am excited to bring you this AMAZING Cover for J.B. Rockwell’s upcoming book, Serengeti!  Sit back and bask in the awesomeness!  Also I am ready for it are you?





Serengeti Back Cover Blurb:

It was supposed to be an easy job: find the Dark Star Revolution Starships, destroy them, and go home. But a booby-trapped vessel decimates the Meridian Alliance fleet, leaving Serengeti—a Valkyrie class warship with a sentient AI brain—on her own; wrecked and abandoned in an empty expanse of space.

On the edge of total failure, Serengeti thinks only of her crew. She herds the survivors into a lifeboat, intending to sling them into space. But the escape pod sticks in her belly, locking the cryogenically frozen crew inside.

Then a scavenger ship arrives to pick Serengeti’s bones clean.

Her engines dead, her guns long silenced, Serengeti and her last two robots must find a way to fight the scavengers off and save the crew trapped inside her.

Serengeti releases February 2016 from Severed Press.

Publisher Website:


Author Bio:
J.B. Rockwell is a New Englander, which is important to note because it means she’s (a) hard headed, (b) frequently stubborn, and (c) prone to fits of snarky sarcasticness. As a kid she subsisted on a steady diet of fairy tales, folklore, mythology augmented by generous helpings of science fiction and fantasy. As a quasi-adult she dreamed of being the next Indian Jones and even pursued (and earned!) a degree in anthropology. Unfortunately, those dreams of being an archaeologist didn’t quite work out. Through a series of twists and turns (involving cats, a marriage, and a SCUBA certification, amongst other things) she ended up working in IT for the U.S. Coast Guard and now writes the types of books she used to read. Not a bad ending for an Indiana Jones wannabe…

Author Website:

This is how excited I am for this book!

I just like this one
Also leg guitars! 

Introducing : Michael Munz

So I have been reading a new book lately.  It’s called Zeus is Dead : A Monstrously Inconvenient Adventure by author Michael Munz.  And guess what?  He let me interview him!!  I am not finished reading YET.  BUT Boy will I finish!  So sit back and grab some snacks, a star wars blanket, coffee, anything really.





Christina: What’s your current project? Tell us a little about it.

Michael: I’m finishing up the third and final novel in my sci-fi series The New Aeneid Cycle, which is set in the year 2051. Cybernetics abound, humanity is beginning to self-destruct, and something alien has been discovered on the moon. I guess you could call it post-cyberpunk. The series itself centers primarily on a man named Michael Flynn (I stole the name from an ancestor of mine who was on the U.S.S. Maine when it exploded) and his experience with a global conspiracy that is trying to leave the rest of humanity behind and colonize a new planet. Along the way there are vigilante arsonists, cybernetic mercenaries, memory experiments, assassinations, alien artificial intelligences, and a quirky guy named Felix.


The books in the series are A Shadow in the Flames, A Memory in the Black, and the work in progress, A Dragon at the Gate.

 C: What has been your favorite scene to write so far?

M: In A Dragon at the Gate? I think it was the introduction of a character named Jade, who’s new for the third book. She’s a female mercenary with a penchant for stylish cybernetics and a snarky sense of humor. She keeps another character on his toes, and (hopefully) provides the reader with a smirk or two where the narrative needs it—especially since another character who provided that previously is currently, um, indisposed.

 C: Who or what has inspired your writing?

M : My biggest influences have probably been Dan Simmons, Terry Brooks, and Douglas Adams. Adams’s influence isn’t really visible much in my sci-fi writing (with the possible exception of the character of Felix), but played a part when I wrote Zeus Is Dead: A Monstrously Inconvenient Adventure, which is a comedic fantasy set in a version of our world where reality TV heroes slay actual monsters and the gods have their own Twitter feeds.

 C: What is your biggest goal with your writing?

M: Honestly? To entertain as many people with my writing as possible. Granted, I’d also love to be very financially successful, but the one hopefully leads to the other, so…

 C: Do you have any pre-writing rituals?

M: Nothing specific. I’ve been thinking it would help my brain if I did ten minutes of meditation before writing, but so far I haven’t had that sort of discipline. The only main ritual I’ve developed is the consumption of caffeine.

Er, don’t do drugs, kids.

C: What is the weirdest location you’ve ever written at?

M: Let me ponder that one. Okay, I’m done pondering. I don’t remember ever having written in too many weird locations. (If I’m at a weird location, I’m usually doing other things.) But I did once write a little bit sitting on the Thames in London across from Parliament. It wasn’t not weird, but it was cool.

 C: How do you handle writer’s block?

M: Lots of screaming. …Well, okay, probably not usually that. But a lot of times when I get writer’s block it’s due to a lack of preparation. It helps to take stock and look at what I’m about to write. Do I even know what that is? Do I need to plan out any action scenes or refresh myself with how the characters in the scene are feeling? Or am I just getting burned out? Sometimes a break is needed, after all.

 C: Are you a pantser or a plotter?

M: In most cases, the latter. I need to plan the big picture so I know where I’m going. I don’t like the idea of writing myself into a corner, so planning things out ahead of time helps me avoid that. I don’t plan everything, of course. Characters can still surprise me as I’m writing, and I’m not afraid to stray from the plan if it feels right. But I like to front-load a lot of the effort.

C: What do you like best about writing scifi?

M: The freedom to imagine. I like high-concept stuff, and after spending most of my day living in the real world, it’s fun to explore things that can’t happen (or can’t yet happen) in the real world. Sci-fi lets me do that. Would you have someone else’s memories downloaded into your brain? How would people react to the chance to explore a derelict alien spacecraft for the first time? What would it be like to have cybernetic eyes that flash when you’re angry? It’s a playground.

C: Is there another genre you have tried writing? 

M: I’ve also spent some time writing fantasy. I’ve written two novels, one of which is the aforementioned comedic fantasy Zeus Is Dead. (By the way, “aforementioned” is a fantastic word, folks.) People seem to think I do it reasonably well, since ZID was a finalist in the 2015 Independent Author Book of the Year Awards, and a won a bronze medal in the 2015 Readers’ Favorite Book Awards! The other book is currently unpublished, and is more serious, but also takes place in the modern world. I do hope to have that one published at some point in the future…


C: Is there any talent or skill you wish you were better at within the writing/publishing process?

M: Marketing. It’s not my strong suit. I’m generally a modest, quiet, sometimes even shy person. (You mean I have to TELL people about my books? I have to TALK to people?! AAAAAHHHH!!!) 🙂

 C: Have your parents read your work?

M: Yep! I don’t let them read anything until it’s finished, though. They’re really supportive (and I’m lucky to have them behind me—Zeus Is Dead is dedicated to them, in fact), but I have trouble letting myself take their praise of my writing seriously, since if I let myself see my own writing through their loving eyes, I’d get a REALLY huge ego.


C: What scares you the most?

M: Brussel sprouts. Aerosol cheese. Earthquakes. The idea of a Trump presidency. Cats with access to weapons-grade catnip.

C: When did you start to feel like an author?

M: Technically, I was an author the moment I started writing my first book, but I didn’t really feel like an author until I’d finished writing that book. Then I self-published it, and really felt like an author. And then I heard from people who liked it and I REALLY felt like an author. And then an indie publisher told me they wanted to publish Zeus Is Dead and I DEFINITELY felt like an author! And then— Well, you get the idea.

 C: What’s next for you?

Dinner, probably. Or do you mean writing-wise? After I get A Dragon at the Gate complete, I’ll be focusing on writing the follow-up to Zeus Is Dead. There’s a good chance it’ll be called Zeus Is Undead and involve at least some manner of zombie apocalypse. But we’ll see. If you’re really curious, stop by my website, follow me on Twitter or Facebook, or sign up for my newsletter! (The newsletter even gets you a free short-story collection.)



Grab these awesome books by Michael Munz today!

Thank you so much for the interview and the time!  🙂  Now back to Zeus is Dead for me!

Dancing for an interview well done! and a book! 

Ryan Dalton – The year of Lightening

Today’s post is with Ryan Dalton, Author of The Year of the Lightening. I have book promo, links and interviews waiting for you.  Sit back and enjoy.



Twitter: @iRyanDalton
Instagram: @RyanDalton
Barnes and Noble:


“Exciting plot, smart characters, and engaging prose: Dalton’s writing jolts straight to your heart.”
– Ellie Ann, New York Times Bestseller

“With cheeky winks to classic time travel and a mind-bending central mystery, The Year of Lightning moves at a pace that lives up to its title and will keep your pulse pounding to the last page.”
– Karen Akins, author of the LOOP series

Now for our interview!

Christina: What’s your current project? Tell us a little about it.

Ryan: The Time Shift Trilogy will be my project for the next couple of years. So while The Year of Lightning is nearing its debut on January 12, I’m hard at work on the rest of the series. Currently I’m editing the Book Two, The Black Tempest, and outlining Book Three, which is yet to be titled. It’s been so exciting to expand on the world and the ideas introduced in the first book, and I’m so excited for readers to see what happens to the characters.

C: What has been your favorite scene to write so far?

R: My favorite scene in The Year of Lightning happens closer to the end, where two unlikely side characters gain an unexpected victory. I don’t want to say too much because it’s a big story moment, but that was probably my favorite scene to write.  In The Black Tempest, my favorite scene is a conversation between two characters, both of whom are dealing with big changes to their lives. It’s a quiet moment, but I love their interaction.

C: Who or what has inspired your writing?

R: Inspiration can come from a myriad of sources, but music plays a huge part in my process. I make playlists for every book, and the songs help me develop scenes and find their rhythm. They consist of all types of music, whatever is speaking to me at the moment, everything from instrumental soundtracks to rock. Even as I type this, I’m listening to music from Thievery Corporation.

When I do the actual writing, though, I rarely listen to music with lyrics or heavy beats because I find it distracting. So I’ll usually listen to relaxation music or thunderstorm sounds. I’m a huge fan of

C: What is your biggest goal with your writing?

R: I want to evoke the same emotions and excitement in readers that my favorite books have evoked in me. When people find great books at a young age, books that make them feel something, it can turn them into book lovers for life.

C: Do you have any pre-writing rituals?

R: I don’t like writing at home, so I’m always looking for new places. When I find a place a like–usually some variety of coffee shop, of course–I pick a spot and put on my noise-canceling headphones. I like the energy of public spaces, but the noise is often distracting, so this way I benefit from the energy while avoiding the distractions.

C: What is the weirdest location you’ve ever written at?

R: Transatlantic flights, a pub in Melbourne at 2 a.m., the balcony of a concert hall, a hidden speakeasy in Phoenix, and the top of a mountain in Costa Rica.

C: How do you handle writer’s block?

R: This is one of my favorite subjects to talk about because many newer writers are given the wrong idea about it. The thing is, writer’s block isn’t real. What people call writer’s block is usually just fear of failure or not being good enough. And the great thing about fear is it only has the power you give it. So writer’s block is defeated by taking action, which is the antidote to fear. That means sitting down to write and not stopping until the words are flowing.

I once heard a writer say, “Writer’s block is for writers who don’t have to pay rent.” It’s so true! Everyone experiences blips and dips in their writing, but the pros don’t let that stop them. They take a break, go for a walk, do something stimulating, then sit back down and get to work. When you take action and start treating writing like a profession, writer’s block fades away.

C: How much research was involved in your latest piece and how did you tackle it?

R: For The Year of Lightning, I researched meteorology, electricity, quantum physics, nuclear power plants, and more. Since the story involves time travel, there’s a healthy dash of science fantasy involved, but I still wanted a solid foundation for the fictional elements. Wherever I could, I took real world science and extrapolated a sci-fi progression of those theories and technologies.

C: Are you a pantser  or a plotter?

R: 75% plotter, 25% pantser. I do lots of heavy outlining because when I sit down to write, I want to know where I’m heading. So I write an early, rough outline with all the concepts and major beats. Then I follow with a physical outline–a timeline made of sticky notes on my office wall. Then I write a detailed outline for blocks of upcoming chapters.

But I don’t always decide everything before I start. Some of it I like to keep loose because I know a good idea will strike in the moment. I still leave room for changes, since inevitably I’ll come up with new or better ways to tell the story as I’m writing. I also do lots of unstructured brainstorming.

C: What has been your biggest learning experience so far in your career?

R: 2015 has been a big year for learning my own limits. No writer can do everything, and the schedules and goals I set for 2015 were overly ambitious, to put it mildly. I loved everything I was doing, but I also burned out pretty hard because I worked on them every waking minute. So I had to remind myself that I was human, and that I need breaks from writing and talking about books even though I love them so much. It’s still a challenge to strike the right balance, but I’m doing much better with it now.

C: Is there anything you wish you were told prior to writing or publishing?

R: The writer community, especially in YA, is so welcoming and helpful. I was welcomed into the tribe immediately, and it’s been such a great experience getting to know my fellow authors. That part has been far more awesome than I had expected.

C: What’s next for you?

(see question 1)

C: What do you like best about writing science fiction?

R: Science fiction is such a broad canvas. To me, it’s essentially a limitless genre. It can be so broad, with big operatic themes, or it can be laser-focused on very personal stories. It’s a wonderful sandbox to play in.

C: Is there another genre you have tried writing?

R: Sure, I’ve dabbled in quite a few genres. I’ve written mystery, comedy, different shades of fantasy, even a bit of contemporary–whatever interested me. As much as I love science fiction, I definitely want to branch out at and stretch myself as a writer.

C: Have you taken any writing classes? If so, share those experiences

R: I took one creative writing course in high school, but that’s it. The rest of my experience has come from reading and writing.

C: Is there any talent or skill you wish you were better at within the writing/publishing process?

R: I’m very much a beginner when it comes to the business side of publication. I’m still learning and developing what my approach will be to getting my work out there. I’m building the platform little by little and trying to absorb as much practical knowledge as I can along the way.

C: Have your parents read your work?

R: A few family members are always the first to read my books. They’re all bookworms, and they know I want constructive feedback, so they make note of what they like and what they feel needs work. It’s always nice to get their perspective and encouraging when they like a scene.

C: What made you decide to publish traditionally?

R: I’m still a fan of the traditional model. It presents hurdles and challenges, but for me anyway, the benefits outweigh the liabilities. I like having partners and people on my side, who are just as invested in my books’ success as I am. It’s great being able to leverage their knowledge and skills, and having a constant champion and advocate for your work is hard to beat.

C: What scares you the most?

R: Most new authors fear that no one will hear about their work. Exposure is a huge thing in publishing–if people don’t know about you, they can’t read your books. That’s why authors and publishers put so much work into publicity. I want as many people as possible to be able to read and enjoy these stories, so I’m always thinking about how to reach more.

C: When did you start to feel like an author?

R: When I got the book deal, I became a lot more comfortable telling people I was a writer. Inside, I knew I was a writer long before then, but the validation felt great and it made for something I could easily point to when people asked what I’d written. Every writer draws their own line with this, and there’s really no wrong answer, but this is what worked for me.

C: Have you ever acted out a scene to see if it worked? Share a funny or embarrassing story about acting it out.

R: I don’t physically act them out, but I know my face changes when I’m writing an emotional or intense scene. So there have been moments in coffee shops where people caught me making very odd expressions considering the setting. I never explained myself, so they were stuck with the mystery of why a strange man was scowling at his computer.

C: Which poets or authors have influenced you in your own writing?

R: I’ve been told that my style is very cinematic, and I think it’s mostly because of my character interactions. I love snappy dialogue, snark and and wit, but I also want characters to have real and emotional moments. Few people do this better than Joss Whedon. I’m such a fan of his work, and I watch so much of it, that there are probably shades of it in my own writing. There are lots of novelists whose work I admire, but Whedon is my gold standard.

Introducing: K. Kazul Wolf

Happy Monday All! I have a brand new person up for you to meet! 🙂 Sit back, relax and help me welcome K. Kazul Wolf.


K. Kazul Wolf (most commonly referred to as Bacon) is a fantasy author who spends a lot of her time playing too many video games, reading too many books, perfecting her leegndrary typo skills, and being a dragon. However, her interests lean more toward rescuing cats and dogs in distress as opposed to princesses and hoards of gold. Her pursuits consist of attempts to conquer the world through her culinary and pastry arts, and bouts of obsessive writing.


Christina : What’s your current project? Tell us a little about it.

K : For once, I don’t dread this question! Here’s a short pitch:
Emma has amnesia, soul-zombies, and dragons to worry about. With no one to trust and a wall of monsters encroaching around her, remembering her past is the key to escape — even if the truth is more dangerous than the lies.

C. What has been your favorite scene to write so far?

K : I love, love, love writing the bits where the melodramatic oven shoots its racks at main characters when it’s irritated. Completely random and not the most important part of the plot, but I can’t help loving it.

C:  Who or what has inspired your writing?

K: This novel was heavily inspired by one of my all-time favorite authors, Diana Wynne Jones. I love her ability to transport you anywhere into worlds that almost seem more real than our own. And not to mention her ability make the magic itself feel real!

C:  What is your biggest goal with your writing?

K: To have my words impact a reader like my favorite author’s words impacted me. I mean, of course I want to get published, of course I want to find an agent. But more than any of that I want to find readers who need my book, give them an escape into a crazy, magical world that is different than their own.

C:  Do you have any pre-writing rituals?

K: I’m one of those people that HAVE to find the right music! Some days I get lucky and know exactly what I want to listen to, but other days it can take hours to find the right album to suck me in. I have to keep a crazy variety of music in my library. It always gets interesting when it’s intense dubstep for a quiet, emotional scene.

C: What is the weirdest location you’ve ever written at?

K: I… may have brought my laptop into the bathroom and on the toilet with me while in the middle of an intense scene and not wanting to stop. Maybe.

C:  How do you handle writer’s block?

K: I’m a firm believer that there are different sorts of writers block. There are the moderate cases where you’re just being really hard on yourself, or thinking to much about it, and you have to give yourself a good kick in the butt and turn off that internet and start writing. But the more severe cases, where you realy ran yourself down, or life-things keep popping up, and you’re exhausted and you can’t write — you have to learn to take a break from those.
I had a case of the latter for six months once. It killed me and I felt awful about it, but sometimes you’ve gotta accept you’re human and you can’t produce words worth reading like a machine. Take the time you need for you. Stay productive in other ways: read, listen to podcasts, work on your website/blog, study other forms of storytelling. But be kind to yourself.

C: How much research was involved in your latest piece and how did you tackle it?

K: None for this one! However, for one of my upcoming novels I’m studying different Hawaiian cultures and I fully plan on taking advantage of hashtags on Twitter and my local library!

C:  Are you a panser or a plotter?

K: Panther, hands down! Well, hands close to down. I use a very basic seven point plot structure to get vague ideas about what I sort of want to happen out, and then I’ll plot a chapter ahead of where I’ve written in a tiny notebook as I’m writing. If I can find a ridiculously complex way to do something, you bet I’ll do it.

C: What has been your biggest learning experience so far in your career?

K: Parting ways with my first agent. It wasn’t a smooth transition, but it taught me how absolutely necessary the writing community is. If I didn’t have my friends, I wouldn’t still be attempting to write.

C:  Is there anything you wish you were told prior to writing or publishing?

K: Haha, I feel like anyone warning me more in-depth about the hardships of publishing would have just made me fight harder for it. I’m a sliiiight bit competitive.
Honestly, though, I would have liked to have known more about my options and paths. I’d like to have known how much of what I went through has been normal, and what was weird and I should’ve run in the other direction.

C: What’s next for you?

K: A break! I’m in that second category of writer’s block I mentioned above at the moment, though I’m hoping it’s not a six month. After that? I’m sure my mind will surprise me.

C:  What do you like best about writing fantasy?

K: The magic! I remember when I was a kid how absorbing certain books were, how sure they made me that magic existed in this world. Now that I’m an adult, it’s hard to find that magic anywhere but in books.

C: Is there another genre you have tried writing?

K: Nearly all of them, save for literary! I’ve been most adventurous in short story format, though. My readers tell me when I write contemporary that they spend the whole story expecting faeries to pop out.

C: Is there any talent or skill you wish you were better at within the writing/publishing process?

K: Writing marketable stories. I tend to be a pro at writing crazy worlds and plots, but it seems I might be too good at it. When I was querying short stories, my most-recieved feedback was along the lines of, “Great! … But it’s too different.”

C: Have your parents read your work?

K: Yes, actually! My is a published romance author, and she always has an interesting perspective. My grandma on her side is an English professor, too, and she’s proofed my work before submission for me. My father, though, not so much.

C: What scares you the most?

K: Never getting anywhere. Writing stories that only I end up reading. Realizing I’m the world’s worst writer. So, generally, insecurity is the fuel of all my fear.

C: When did you start to feel like an author?

K: When I realized I was one. It sounds lame, but everyone who’s written a complete story is an author. It’s not some title you earn through a contract, it’s simple: you write, you are an author.

C: Which poets or authors have influenced you in your own writing?

K: I mentioned Diana Wynne Jones above, but so many authors made me who I am today. It all starting with J. K. Rowling, though. I was a video game addict as a child until I found a copy of HARRY POTTER AND THE SORCERER’S STONE laying around the house. From there it was all downhill into the world of reading, my two other greatest influences as a child being Patricia C. Wrede and C. S. Lewis. And as an “adult” one of my favorites is Laini Taylor. I’m just a sucker for anyone who can bring magic to life.

Thank you so much for letting me interview you!  I loved reading all of this and getting to know you writing side a bit more!  I hope you all check out her stuff at the top of the post!

IMG_6034R2 says thank you! 🙂